Midtown

Living Well Is The Best Revenge
MCA Records

Music Head Rating: 

 

     What is it about New Jersey that seems to cultivate musical talent?  It’s amazing how many bands can admit to getting their start in Jersey basements and backyards.  Drive-Thru/MCA Records’ Midtown is one such band.  Since their formation merely four years ago, Gabe Saporta (bass, vocals), Tyler Rann (guitar, vocals), Heath Saraceno (guitar, vocals), and Rob Hitt (drums) have managed to release both an EP off of Pinball Records and their debut album, Save The World, Lose The Girl, off of Drive-Thru Records - not to mention the fact that the guys have been touring non-stop with the likes of punk favorites Good Charlotte, Blink-182, Dashboard Confessional, Thursday, H2O, and a plethora of others.  And just when you thought that Midtown couldn’t possibly fit anything else into their jam-packed schedule, they went and released their sophomore album, Living Well Is The Best Revenge.
     Gabe Saporta was recently quoted as stating, “once they hear our album, they won’t be able to deny we rock.”  As pompous as that statement may sound, I’m inclined to agree.  Living Well Is The Best Revenge definitely rocks.  However, pinpointing its genre to punk rock, emo rock, pop rock, or purely rock and roll is a somewhat difficult task.  In an era where supposed “punk” bands are shying away from generic labels, it seems that their albums are becoming more and more a collage of sounds.  With pop tracks such as “Like A Movie” and “One Last Time” intertwined with the punk sounds of “Become What You Hate,” “You Should Know,” and “In The Songs,” Living Well Is The Best Revenge proves to be a prime example of musical convergence.  And although this album doesn’t sound as punk as Save The World, Lose The Girl, old-school Midtown fans need not worry about a change in lyrical content.  Living Well Is The Best Revenge continues in the tradition of politically conscious, honest, and mature lyrics about love, friendship, career choices, and even karma.  With insightful lyrics such as “it’s safe to fall if you just trust the ground that you stand on” (“You Should Know”) and “know that what you have is not what you are” (“Find Comfort In Yourself”), it’s evident that Midtown is once again producing intelligent tracks that anyone can relate to.
     There’s definitely no sophomore jinx for Gabe, Tyler, Heath, and Rob.  How do I know?  Lets just say that “I feel it in the songs” (“In The Songs”).  And once you listen to this album, I guarantee that you’ll feel it too!
-Kristal Austin

Links:  www.midtownrock.com

           www.mcarecords.com

Millencolin

Home From Home
Epitaph Records

Music Head Rating: 

 

     They’re back!  The Swedish skaters, Millencolin, whom the punk community absolutely adores, are back in full force with the release of their fifth album, Home From Home.  Throughout the past decade Nikola Sarcevic (vocals, bass), Erik Ohlsson (guitar), Mathias Farm (guitar), and Fredrick Larzon (drums) have stayed true to their punk rock roots by creating solid music with the ability to evolve and improve with each passing album.  With Home From Home, their fifth album, Millencolin have surpassed the “soft-core” of Pennybridge Pioneers, replacing it with “more rock, more rock,” as Erik states.
     More rock indeed!  Stellar guitar rhythms, pounding drum beats, and Nikola’s one of a kind vocals make Home From Home arguably one of the most energetic albums out there.  Whether you agree with Nikola when he sings, “what can I do to fit in, kiss up to someone – it will never happen” (“Montego”) or you simply need to be reminded of the fact that “after rainy days the sun will shine” (“Fingers Crossed”), this album is guaranteed to contain lyrics that anyone can relate to.  And as you sing along to the ska-sounds of “Punk Rock Rebel” or listen intently to the political lyrics of “Afghan,” one thing’s certain – you’ll quickly fall in love with this album.
     So if you haven’t already, go get Home From Home – “step right in, leave everything behind,” (“Home From Home”) and embark on a punk rock journey with Millencolin!  It’s not one you’ll soon forget.
-Kristal Austin

Links:  www.millencolin.com
           www.epitaph.com

Millencolin

Pennybridge Pioneers
Epitaph Records

Music Head Rating: 

 

     PUNK - what a small word for such a vast community!  It's amazing how one word can spark such a plethora of questions.  And perhaps the greatest question is that of -- "what makes a band punk?"  It seems that everyone has an opinion on this topic, yet no one can truly answer it.  So what do you do?  Well, if you're Sweden's Millencolin, made up of Nikola Sarcevic (vocals/bass), Erik Ohlsson (guitar), Mathias Farm (guitar), and Fredrik Larzon (drums), you simply invent your own genre within the constraints of the punk walls.  Mathias explains their invention: "we're not hard-core, we're soft-core, and the music we play isn't hard-core punk, it's soft-core."  Now I'm no expert on "soft-core punk," but I do know that Millencolin's fourth album, named after the English version of their hometown, Pennybridge Pioneers, is chock full of quick-paced, catchy, vigorous tunes that will leave listeners reaching for the repeat button at their conclusion.  But my favorite aspect of this album isn't its sound but rather its lyrics.  Pennybridge Pioneers is full of songs about growing up and discovering your own path.  The first track off the album, "No Cigar" (also featured on the Play Station game Tony Hawk 2) is about being confident, with lyrics such as, "I won't waste my time fitting in 'cause I don't think contrast is a sin."  Another track, "Right About Now," is about staying true to yourself and living life to its fullest: "I'm 25 but still alive, I'll never give up until I reach my goal."  "Highway Donkey" is surely a track anyone can relate to about growing up and discovering that "now I know where to put my feet, right in my own trail."  Pennybridge Pioneers also marks Millencolin's first acoustic ballad, simply called "The Ballad," in which Nikola uses his unique, "in your face" voice to sing about that guy in every class who's "in pain and misery" because he "has no friends to cheer him up."  So if you're looking for the soundtrack to early adult life, I strongly suggest giving Millencolin's Pennybridge Pioneers a listen.  You won't regret it. -Kristal Austin

Links:  www.millencolin.com
           www.epitaph.com

MxPx

Ten Years and Running
Tooth & Nail Records

Music Head Rating: 

 

     If there’s one thing you have to give MxPx credit for, it’s the fact that they have not sold out themselves or their fans.  They’ve remained true to their constantly growing national audience without abandoning their punk rock creed.  A little over a decade after Mike Herrera (bassist/lead vocals), Tom Wisniewski (guitarist) and Yuri Ruley (drummer) changed their moniker from Magnified Plaid to MxPx, the band is still going strong.  Their new release, Ten Years and Running, is an anthology of what many would argue to be their greatest hits.  Many of the songs are remixed and appear as versions that were previously unreleased.  Included in the album are tracks that have been around since their early club-playing days, such as “PxPx.”  The band released two new songs on this album.  While they did not exactly blow my mind, “My Mistake” and “Running Away” certainly hold their own when coupled with songs such as “Tomorrow’s Another Day” and “Move to Bremerton.”
     The album reminds fans of how infectious MxPx’s sound really is.  It contains a motley array of songs dealing with teen angst, uncertainty and insecurity.  Give “Ten Years” one listen, and you will see why so many new wave pop punk bands have tried emulating this style.  The three kids from Bremerton, Washington have sustained an energetic feel to all of their albums.  This new release illustrates how they have matured over their years without losing sight of where they came from.
     Although the album does contain many of their classics, I think it has two demerits against it.  One being the fact that it is difficult to notice which songs they have remixed.  On a considerable number of the songs, I found the remixing nearly impossible to spot, with the one notable exception being “Punk Rawk Show.”  Also, I found the exclusion of “Party, My House, Be There” to be almost criminal.  However, one could say this boils down to personal preference.  While there are not many surprises, Ten Years and Running is a solid collection of songs many MxPx fans have grown to love and will have fun revisiting. -John Tomas

Links:  www.mxpx.com
           www.toothandnail.com

 

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